She’s been Diplo’s muse, one of Time Magazine’s 100 Most Interesting People, and the only person to ever perform on the Grammys while practically about to give birth. But before her war with the NFL, her allegiance with WikiLeaks founder Julian Assange, or those goddamn truffle fries, she was a neon prism at the end of a long musical tunnel dominated by what we’ll call “The Bands.” Along with Dipset and DFA, the rapper, née Matangi “Maya” Arulpragasm, was one of the puzzle pieces that began indie rock’s distance from guitar rock and its constantly-evolving fascination with pastiche. is supposed to be a messenger, but the mission of her music is often obscured by critics’ and listeners’ schismatic view of her work.
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